Wednesday, October 31, 2012

Aussie Beach Style





Re-create this style.


Decor ideas






Today I’m showcasing a contemporary Australian beach house photographed by Hannah Blackmore, a well known Sydney photographer – you may have seen some of her work featured in Adore magazine.

This home features many elements I incorporate in my own work, natural stone floors, relaxed oversized modern sofas, freestanding baths and lots of texture. I love the interesting coastal vignettes - this stylish beach house is full of beautiful inspiration and clever ideas.

Melissah xox



Check out my other blogs Scrapbook and Country Style Chic

They Don't Make 'Em Like They Used To: a 1946 Griffon & Howle Rando-Broom

Griffon & Howl Rando Broom
Well, dear readers, it's that time of the year again: the Somerville-Salem 30K. Every Halloween, 13 metaphysically gifted women (we do not use the "w" word anymore) from the Greater Boston area are invited to participate in this historic paceline-style flight from Prospect Hill Tower in Somerville, MA to the Olde Burying Point Cemetery in Salem to conduct the annual New England Air Transportation Alternatives (NEATA) meeting. Invitations are sent just days before the event, and no one knows how the selection process works. Imagine what an honor it was to be invited! With mere days to prepare, I rushed about seeking a suitable flying broom. My own broom, I am ashamed to admit, was woefully inadequate: cheap flimsy plastic thing with nylon bristles, and no accessories to speak of. While sufficient for a quick flight around the block once in a blue moon, it was not the right broom for the Somerville-Salem 30K. I asked around, but no one had anything suitable to lend. Custom broom-makers had year-long wait lists. Finally, I heard from a friend deep in the woods of Virginia (you might know him from the comments here as Spindizzy): He had something for me and would mail it straight away.

Griffon & Howl Touring Broom
When I received and opened the package, I could hardly believe my eyes: an original 1946 Griffon & Howle randonneuring broom. Spindizzy had just finished restoring it for a customer, to whose mother - a Ms. Yeumadeen Platchen - the broom had originally belonged. When the customer heard that I had been invited to the Somerville-Salem 30K she offered to loan it out for the flight. What luck! You see, Griffon & Howle were the constructeurs of flying brooms, back in the days when fine craftsmanship and attention to detail truly mattered. They used only the finest wooden tubing, the lightest metal fittings, the softest, most aerodynamic bristles. But more importantly, they fabricated all components and accessories in a manner that truly integrated with the broom itself. To hold a Griffon & Howle is to hold a masterpiece. To fly a Griffon & Howle is a privilege that few experience.

Griffon & Howl Touring Broom
The Griffon & Howle's bristles are organic handbound straw, sourced from the Balkans. Importantly, the rear rack is welded onto the base of the broom, rather than attached via p-clamps or braze-ons. Not only does this provide considerable weight savings, but it is more durable, stable, aerodynamic and elegant. This rack will not shake loose mid-flight. And it looks like it belongs on the broom; it is not an afterthought. 

Griffon & Howl Touring Broom
The main part of the handle is constructed out of standard diameter, thin wall wooden tubing, which has been scientifically proven to provide just the right amount of flex for a responsive in-flight feel. The hand-crafted aluminum potion bottle-holder was painstakingly designed to minimise vibrations. Naturally, the potion bottle itself had to be custom made out of military-grade resistanium, as the potion tends to burn through metal and plastic commercially-available bidons

Griffon & Howl Touring Broom
The cork stopper and shellacked twine complete the look.

Griffon & Howl Touring Broom
Unlike today's flashy custom builders, the constructeurs abstained from affixing heavy metal badges onto their brooms. Instead, they simply carved their initials and the broom's serial number into the tip of the handle directly underneath the bell.

Griffon & Howl Touring Broom
And while the brass bell may look ordinary enough to the untrained eye, each one was handmade to emit a ring of a signature frequency. The art of this technique has unfortunately been all but lost. 

Griffon & Howl Touring Broom
The grip area of the handle is wrapped in twine, woven out of the rarest, most durable silken fibres available. While it is popular today to wrap broom handles in cork tape, this really developed as a result of the rarity of the silken fibres, as well as poor fit. Ideally, the gripping area should be firm to the touch, yet not so firm as to cause callouses. Notice the pinky hook at the bottom of the gripping area, designed to keep the hands in place.

Griffon & Howl Touring Broom
The quick release feature makes the broom suitable for travel and transportation in ordinary-sized packages and suitcases - an invaluable feature in today's high security travel climate. Note that, unfortunately, the skewer is a modern replica replacement. The original fitting was damaged when an attempt to steal this broom was made at a rest stop during the 1954 Liege-Sofia-Liege brevet. 

Griffon & Howl Touring Broom
With a twist of the quick-release lever, the broom quickly disassembles. Mounted to the inside of the upper section is a Dragon's kydneystone, the purpose of which I am not at liberty to describe here - though some readers will know. The star-shaped cutout on the lower section is a Griffon & Howle identifier. 

Holding the broom in my hands, the first thing I noticed was how well-balanced it was. Despite the welded rear rack of considerable size, it was not bottom-heavy but balanced in the center. The technique of the old masters was impeccable. The broom was also remarkably light - more so than the modern plastic and nylon creations so many misguidedly use today.

Griffon & Howl Touring Broom
Having examined the broom extensively and marveled at its craftsmanship, it was time to commence my training for the 30k. With only three days left before the event, my plan was to complete a brief 5k flight around Somerville that evening, followed by a more challenging 10k around Boston the following day. After that I would rest before the Somerville-Salem 30K. As I prepared for my training flight, the first step was, naturally, to find a dark corner of the forest, assume the Chant Position, partake of the potion with which my bottle was filled, and utter the relevant Spell. I was amazed at how intuitive this part of the process was with the Griffon & Howle. The broom triangulated with the forest floor perfectly, allowing the Spirits to enter it just so. While my plastic broom required over an hour of chanting to be adequately prepped, the Griffon & Howle took a mere 2 minutes.  

Griffon & Howl Touring Broom
Next, I gently stepped over the broom whilst holding the gripping area and utilising the pinkie hook, and aimed my gaze at the skies, toward the Secret Constellation. Not having done Kundalini Yoga for Broom Flight in some time, my postures were rusty and I was worried that my skills had deteriorated. However, less than a minute into holding the posture I felt the broom begin to levitate. It was working already. 

Griffon & Howl Touring Broom
A well-balanced broom straightens itself out as it levitates, so that eventually it floats parallel to the forest floor. It is then up to the operator to control the angle. There is debate as to which angle is ideal to start with at take-off and maintain during flight, but in the era of Griffon & Howle brooms it was generally believed that a low-trail configuration provided the best handling.

Griffon & Howl Touring Broom
As I prepared to take off, one thing I noticed was that the broom had an unusually short handlebase by current standards. Most likely it was made for a more petite flyer than myself. The operator is meant to occupy the space between the rear rack and the potion bottle (in broom flying jargon, this space is referred to as the perch), and on the Griffon & Howle it was barely long enough to contain me. Were I commissioning a similar broom for myself, I would ask for an extra 2cm or so of perch length.

Griffon & Howl Rando Broom
As an aside on proper positioning: In the media today, we are inundated with fake and ridiculous imagery depicting women perching on brooms in ways that are not only inefficient, but downright unsafe for flight. The position shown here is the only correct one for paceline flying (the transportational position is considerably more upright, but requires a broom that balances differently). It is also important to understand that any images you might see that appear to depict metaphysically gifted women engaged in actual broom flight are fake: We are not legally permitted to capture this activity on film or digitally. To ensure that this rule is adhered to, a masking agent is incorporated into the Flying Spell that prevents photo and video equipment from recording the operator in flight. As the broom and operator take off, they remain visible to the human eye of bystanders, but cannot be captured by recording equipment of any kind. And so this is the last image I am able to leave you with prior to take-off. 

I can hardly describe my impressions of the 5k maiden voyage without getting emotional. Put simply, I had not known until now what I had been missing all these years of awkward, uninspired flights on cheap and ill-fitting brooms. The Griffon & Howle soared joyously though the skies. Responsive to my movements, it steered intuitively and soaked up air turbulence effortlessly. My heart skipped a beat, as I felt that this broom truly planed. 

Griffon & Howl Rando Broom
For the 10k training flight the next day (yes, I ventured out during Hurricane Sandy!), I added a pannier and wore a raincoat. The pannier was just the right width for the rear rack and there was no heel strike during take-off. The wonderful feel of the flight remained as I remembered it. The fit and the handling were so perfect that, put simply, the broom "disappeared" beneath me. And this, as Griffon & Howle were famous for opining, is the very definition of a well-made flying broom.

After a day of rest, I feel well prepared for the Somerville-Salem 30k this evening and am very much looking forward to the New England Air Transportation Alternatives (NEATA) meeting. I really can't thank Spindizzy and his customer enough for loaning me the Griffon & Howle and for allowing me to document it here for my readers. While I recognise that this is a bicycle blog and not a broom blog, I can't help but feel there might be some common ground here.

Griffon & Howl Rando Broom
For anyone interested, Spindizzy (aka Jon Gehman) does offer complete broom restoration services, as well as custom bicycle racks and other cool and weird accesssories. The full set of pictures of the original 1946 Griffon & Howle randonneuring broom can be viewed here. Happy Halloween everyone!

Tuesday, October 30, 2012

Happy Halloween



Halloween


Even though we don't celebrate Halloween here in Australia
I wish all of our American blogging friends
lots of fun and frivolity on this festive day.
I would love to join in and party along!


'Happy Halloween'

For those of you affected by Sandy
our thoughts are with you and your families.

Melissah xox

Image via Daily Crush, edited by Coastal Style

Check out my other blogs Scrapbook and Country Style Chic

Monday, October 29, 2012

Can Stop, Will Stop: Paul Racer Brakes

When I received a Rawland Nordavinden demo bike for review some time ago, it was fitted with Silver Bigmouth sidepull brakes. The Nordavinden model is made without cantilever bosses, intended to be used with either sidepulls or centerpulls. With 650Bx42mm tires that leaves few options for brakes with sufficiently long reach. I have tried the bigmouth sidepulls before on a 650Bx42mm tire bike with upright handlebars and the stopping power was fine. But it proved decidedly less fine on a bike with drop bars and road levers. The braking wasn't terrible, but not as strong as I wanted. So when setting up a Nordavinden with my own components two months later, I decided to go with centerpulls. The choices were: Paul Racer or Dia Compe 750 brakes. The feedback I'd read about the Dia Compes was pretty good, so I bought those, since they are the considerably less expensive option. To my disappointment, the braking power was not much better than it had been with the sidepulls. I rode the Vermont Fall Classic with the Dia Compes, but had to watch my speed on steep descents, particularly once it started to rain. I was now feeling a little dispirited, because there was only one option left. Trying to not get my hopes up, I bit the bullet and bought the Paul Racers several weeks later. To my immense relief, they work. They are expensive. But they are US-made, and, more to the point, they stop my bike.

In fairness, I should note here that I know riders who use Silver Bigmouth sidepulls, Tektro Bigmouth sidepulls, and Dia Compe 750 centerpulls on fat tire roadbikes without issue. However, my grip strength is weak and I have damaged nerves in my hands. Braking power with the combination of road levers and long-reach brakes has been an ongoing problem, including on bikes built for cantis. It is useful to know that Paul brakes are an option that works. The Center Mount version of the Racers does not require special braze-ons and can be used on any bike that accepts sidepull brakes, provided there is enough steerer available for a cable hanger.

Paul Racer brakes can be purchased from the manufacturer directly, or ordered via your local bike shop. The company is based in Chico, California, where they have been making parts since 1989.

The Spanish Frontier



 


Bohemian Chic




 





I have spent over a month travelling around Spain so I got to visit most of the tourist hot spots but never made it to the island of Formentera just off the Spanish Coast. I have heard the scenery is gorgeous - beautiful white sandy beaches and azure seas making this little island a perfect holiday destination. I have seen lots of great villas and boutique hotels featured on blogs and travel mags, these ones in particular, caught my eye - I love the rustic simplicity and the open plan. I like the quirky mix of French antiques, Spanish farmhouse style and exposed timber beams.

Melissah xox

Images via The Style Files

Check out Coastal Style on tumblr and Pinterest

Sunday, October 28, 2012

Seaside Pastels - Get The Look





Seaside Pastels



Re-create this look


Seaside Style


 Pastel seaside shades are not really a look that we use much of here in Australia.
I only started seeing this 'Preppy Palm Beach' look since I started blogging.
Since then I have really fallen for it - partly because it's so girly,
and secondly because it's so fresh and different.
I would love to decorate an Australian white weatheboard beach house
top to toe in this look - all white sofas and painted timber furniture
with pops of bright pastels
Shabby Chic meets Southern Preppy!
Australian magazine editors would have a field day.
I just need to find an enthusiastic client who shares the vision.
How much fun would we have putting it together??! 

 Melissah xox

Images via Coastal Style Pinterest, fashion story + mood board by Coastal Style Blog

Check out Coastal Style on tumblr and Pinteres

Saturday, October 27, 2012

Light Reflections










My favourite time to walk along the beach is either early in the morning or late in the afternoon just before the sun goes down. The light is soft and glowing and throws long shadows that dance in the waves. 

It's the best time to take the camera with you and snap away!

Melissah xox


Check out my other blogs Scrapbook and Country Style Chic

It's Not About the Weather

Autumn Birch, Nordavinden
While we wait for Hurricane Sandy to arrive, I am still finding sand caked on my bike from an earlier rainy, muddy ride. It seems that every time I have ridden this bike so far, it has rained. Of course today, on my inaugural ride with fenders, it is sunny and dry. A friend consoles me by reminding me of the approaching hurricane. Surely I will have the opportunity to test the fenders then. I take the idea seriously and begin to mentally map out a route on some local trails, before realising how utterly insane that is. When the townsfolk are stocking up on canned goods and flashlight batteries, I should probably stay indoors.

With the season marching on toward starker days, I find myself thinking of weather. As cyclists we all tend to have an idea of the "perfect weather" for riding. For some it's the height of summer. For others it's that elusive "60 degrees and sunny, with a mild breeze." A few riders I know prefer cooler temperatures, and some even claim to enjoy rain. I think for me, the biggest revelation has been that, when push comes to shove, I can feel good in almost any weather. 

After a recent post describing a rainy ride on dirt roads, a reader wrote: "It's in our nature to want to be comfortable and coddled, but you celebrate the joy of pushing yourself through rain and mud." I felt guilty reading this, because honestly I don't feel as if I am overcoming discomfort or pushing myself when I ride in those kinds of conditions. And I think that is the key to my being able to do it. The secret is to find a way of being comfortable, to just go with it and appreciate the situation for what it is, rather than spending energy on trying to overcome it. Maybe this is just a different way of looking at the same thing, but to me it makes a big difference. Rather than pushing through discomfort, I extract comfort. 

Part of it is of course practical considerations. Figuring out how to dress, eat and drink in different conditions. Over the summer I stumbled upon some tricks that enabled me to ride in heat in humidity like I'd never managed to do before. And last winter, I discovered that riding in sub-20 degree temperatures was also very doable with the help of strategic layering. But equally important is the attitude. We have to be curious, interested. We have to want the experience. 

What is my idea of perfect riding weather... Probably high 40s to low 50s, with heavily overcast skies. I feel most alive then; the raw energy in the air makes me want to ride faster, further. But in the end, it's not about the weather, but about finding comfort in whatever is thrown at me, about feeling coddled by the beauty of the surrounding landscape. 

Friday, October 26, 2012

Ocean Blues







 











I have been back a few days now from my lovely tropical holiday and despite the fact I come back to gorgeous Spring weather, a pretty seaside town, pristine beaches, a lush green garden and peaceful, tranquil surroundings I am still suffering from the post holiday blues - why is that? What's wrong with me??? I have so much to be grateful for. Work has died off because all my clients knew I was off on holidays so I think I just need an exciting project to get stuck into and get the creative juices flowing. Anyway I managed to cheer myself up by organising my summer holidays, making some plans for Christmas and flicking through some old photo albums. I think I am missing those seafood buffets so I might just cook up some Atlantic salmon with an avocado and mango salad to transport us back to balmy evenings dining on the terrace at the Mirage!   

Melissah xox

Credits:  Swimwear other images via Haute Design, beach scene Port Douglas

Check out my other blogs Scrapbook and Country Style Chic