Showing posts with label DROVES. Show all posts
Showing posts with label DROVES. Show all posts

Saturday, May 25, 2013

DROVES Diaries II: Loop of Defeat

DROVES Day 1 Survivor
It is Saturday night on Memorial Day weekend. We are in Vermont. And it is snowing outside. It is really starting to accumulate now. We take turns running out onto the porch to snap pictures. We do not know what to do with ourselves, other than look at each other with a helpless giddiness as if to say "This is really happening and you are my witness, right?" Surely twenty or thirty years from now we will each be telling some bored youngster in our family about that time it snowed on Memorial Day weekend. But what to do with these emotions now that it's happening? Well, there is always instagram. 

The people I am with, they drink like Europeans - lots, as a matter of course, and, seemingly without getting drunk. There is also a great deal of eating. Tray after tray is passed around. I decline second helpings. I push half of my dessert onto a neighbour's plate. And still I feel close to being sick, while the others seem to thrive. I look around the table with admiration. I cannot eat like this, despite having ridden the same miles. Not that those miles seem like much to brag about in retrospect.

I slept straight through the night and opened my eyes at 8:30am. A heavy pile of comforters. Wooden beams all around. The air smells of outdoors and feels just as crisp. At first I marvel at how quiet it is. But then I realise that I'd simply grown used to the rain beating against the metal roof as background noise. It is raining as hard as last night, and it is almost as dark. 

Downstairs, some of the others are awake already, quietly eating breakfast in different parts of the room. I step out onto the porch and see a watery mess in the dirt driveway. It is raw-cold out, and I duck back indoors. There is coffee and I pour myself some. I settle down with a bowl of cereal and listen to the rain. 

Pamela is at the table with her laptop. Extreme weather warnings are in effect. She suggests that those who want to ride wait till mid-day, when the rain might ease up. And she proposes we do a short route - one that's designed as a half-day ride and is only 30 miles long, called the Victory Loop. Pamela and John debate whether the steep descent toward the end might be washed out and could be dangerous. They decide that today the route should be ridden backwards. "It is steeper in reverse, but safer." 

I copy the route and glance at the metrics: 30 miles, 3600 feet of climbing. All dirt. I eat my cereal and don't allow the figures to register. 

"The Victory Loop in reverse... doesn't that make it the Loop of Defeat?" 

More people are awake now, but there is no talk of riding. 

"I am fine right here," someone says. "Any board games in the house?" 

The RSC boys continue to work on John Bayley's bike. They are now opening the bleed kit for the hydraulic brakes. Matt Roy - an immunologist and pro bike mechanic - is wielding the syringe picturesquely as we all take pictures. 

But finally I am restless. Am I crazy for wanting to ride on a day like this?

At noon, Mo Bruno-Roy appears in a colourfully mismatched ensemble. She is going on a short mountain bike ride in the woods. After she sets off, I can take it no longer. 

I go upstairs and put on my cycling clothes. Fleece winter tights, baselayer, long sleeve jersey, winter jacket, neck warmer, full finger gloves, shoes, and those fetishistic-looking booties I'd been too intimidated to try all winter. I walk downstairs and amuse everyone. 

Before I can change my mind, I drag my bike outdoors and set off. The rain is like a waterfall. By the time I reach the end of the dirt driveway, my glasses fog up so completely that I must take them off. At the main road I turn right. 

As it is later remarked, there is no foreplay in the routes around Burke, Vermont. "They begin to fuck with you right away." 

The first climb happens immediately and it is 3 miles long, starting out paved and turning to dirt. One of those roads with the truck-on-triangle "Steep Grade" sign. I feel like someone hit me over the head with a hammer. I see stars. Blood rushes to my face. My mouth goes dry. My head starts to pound. And my legs feel like led. I grind in my 1:1 gear. I cannot climb like this starting at mile zero, I just can't. 

The dirt roads are beige and gritty. It has been raining for days. But remarkably, it is not muddy. Streams of clay-tinted water over wet dirt, but no mud. The ground is soft though, not unlike tightly packed wet sand. It gives under the weight of me and the bike. My tires stick to it, sinking just enough to sap my energy. Crawling uphill, I feel like a caterpillar, a snail. 

At the top I stop and take out my camera. But really I stop because I am out of breath and my heart is pounding and my vision is blurry. There is nothing to photograph here. A farm surrounded by fog. Dark clouds pressing down on the soaked landscape. A cluster of sad, broken lilac bushes. Rain, rain, rain. My legs are trembling from the climb; I cannot handle an entire route like this. What am I doing here?

I get back on the bike and hope to rest on a flat stretch, but immediately I start to descend. There are some ruts and washboards now. The bike starts bouncing. I stop and lower the pressure in my tires. That helps. Letting the bike go, I steer around the bends and feather the brakes.

At the bottom, I see that another uphill stretch awaits. But I go off course and take a different road, one that looks like it might offer some rolling hills. But no, that road goes up as well. I stop when my computer registers a 20% grade, turn around and ride back down. Later I will do the same several more times, with similar results. There are no gentle roads here. Explore all you want, but expect at least 1,000 feet of elevation gain for every 10 miles.

Back on course now, the road goes up again, but at a gentler grade than before. The rain eases up. I sip my water and spin, feeling almost energetic. 

Now the directions say to turn onto Victory Road. It is a much narrower road, almost a trail, that runs though dense woods. It is gravely and rocky. The pitch steepens horrendously, almost comically. I put my water back in the bottle cage and keep pedaling, clicking through my gears until once again I run out. Then I grind. At this moment I can imagine few things more humiliating than grinding in a gear as low as mine. I don't belong here. 

I am crawling up a wall of gravel. My mind wanders. I have imaginary conversations with myself. I can't feel my legs, but somehow rotate the pedals anyway. Water and sweat stream down my face. 

Ahead, things get worse. I see that the sides of the road have caved in and are flanked by rushing streams of water.  I remember that this is the road with potentially washed-out descent that caused Pamela to reverse the route. As I climb further, ravine-like formations begin to take shape down the center, with streams of water flowing through them. I pick a line to avoid them, but this becomes progressively harder, until finally one ravine intersects the other. I ride over this in slow motion at a 16% grade. I try to keep going, but now the road is truly ravaged. Gravel starts to spill out in clumps under my front tire and I slide backwards. The grade steepens still and I get off to push my bike the rest of the way up, barely upright. My arms and shoulders hurt from the effort. I space out until I reach the top.

The descent is not much better at first and I keep walking. I can't pick out a line; it is all rutted out, or in the process of caving in. But finally I get on the bike, launch it downhill and hope for the best. There are large, sharp rocks and I steer around them. It is a 4 mile descent. I am falling and falling and falling. A free-fall. 

At the bottom I am suddenly jolted into alertness. Not by the end of the descent, but by the realisation that I am pedaling along a flat stretch. Having gotten used to vertical roads, it is downright disconcerting. And again, I feel as if my tires stick to the ground, as if I am riding in slow motion. The rain stopped. There is a lake - or maybe a flooded field - and I stop to take a break. I look at the time and see how late it is grown. I've added some extra miles to the route, but still have barely done over 20 so far, and it took me nearly 3 hours. I wonder whether the others, setting out to ride the same route later, might have passed me during one of the times I'd gone off course. I try to get a move on.

Next comes a long, winding paved climb with no end in sight. Once again I am crawling. Surely this cannot be called cycling, not at this speed. The grade steepens yet again and once again I consider walking. But just then I suddenly sense a presence beside me, and I see Ted. Pamela and Emily are not far behind. They tell me they left soon after I did, but I doubt that very much - it would not have taken them this long to catch me. 

Briefly we ride together. Nearly breaking my knees, I push myself to keep up, but they gently slip away. And when I see them disappear, it is through a veil of snowflakes. At first I think I am hallucinating, but it is unmistakable. Snowflakes on my handlebar bag, on my gloves, on the sleeves of my jacket. 

It is not a soft, fluffy snowfall, but a sharp and sleety one. When the next long descent begins, it hits me in the face like needles; it stabs me in the eyes. I try to put my glasses on, but they fog up. So I squint, resisting closing my eyes completely. My face hurts, really hurts. I can see where I am going only approximately. The road is winding and steep. It feels as if I get through it by putting my bike on autopilot. 

Finally, a quieter, gentler road, and I am on dirt again. Tall trees shelter me from the vicious snow-needles. I check my computer and see I am 6 miles from the end. I pedal hard and try to get it over with.  

Nearly home now, from the corner of my eye I notice a car slowing down beside me. There is no one else on the road but us, and for a moment I panic. A serial killer on the prowl, preying on slow cyclists. But it is John Bayley and Matt Roy. "Can we give you a lift home?" I am confused, then slightly outraged. "In the car?! Why?" They point at the sky. "We were worried!" I assure them I am doing wonderfully, and wave them away. Some minutes later I drag my bike into the cabin, to the sound of applause. 

All this for 37 miles. But they were the hardest I've ever done. My legs are shot and my upper body is aching. I cannot imagine walking tomorrow, let alone riding. Feeling dejected, elated and utterly ridiculous, I go upstairs to wash and change for dinner. Out of the bedroom window I notice the snow again. Maybe I am dreaming all of this up.

Friday, May 24, 2013

DROVES Diaries I: Que Sera Sera

DROVES: Morning 2
One of these does not belong...

That thought runs through my mind as I look at the others, scattered around the rustic living room, drinking wine and beer by the dim cabin light. Outside it is pitch black, and alarmingly noisy - the sound of heavy rain hitting the metal roof. The forecast says it will be the same over the next three days: The storm is circling in place, "tornado-like." No one talks about this out loud.

We are in Vermont for Memorial Day weekend. The group includes the Ride Studio Cafe endurance team (Matt Roy, David Wilcox and John Bayley), cyclocross racer Mo Bruno Roy, Dominique and Christine - two French Canadian women who specialise in hill climb races, randonneuring superstars Jake Kassen and Emily O'Brien, 1200K legend Ted Lapinski, and of course Pamela Blalock. A couple of others cancelled due to weather.

DROVES stands for Dirt Roads Of Vermont Epic Sojourn - an event hosted by the Blayleys, now in its fourth year. They rent a cabin near Burke, VT and invite friends for 3 days of riding beautiful, steep dirt roads. For some DROVES is a training camp before the string of summer's competitive events. For others it is a mini-vacation. As for me, I had no expectations. I could use a weekend away, that's all. When I asked Pamela if she thought I could handle the routes, I got the honest answer "I don't know" - followed up with "...but you're welcome to find out!" So I tagged along, bringing the bike "with the lowest gears" per Pamela's emphatic advice.

As the weekend approached, it became obvious that the forecast was dire. Not just a regular sort of dire, but exceptionally, obscenely, laughably dire: temperatures in the 40s and heavy rain for the entire weekend. Following the weather with morbid curiosity, I packed my winter gear.

Earlier in the afternoon...

I wait for John and Pamela on the curb outside my house. Bags in one hand, front fender in the other, bike propped up against the fence. It is a humid 70° in Somerville, the kind that makes it feel like 90°. Sweat trickles down my forehead. Finally the black Honda Fit approaches. Like a 4-year old, I jump up and down with anticipation as it rolls down the street, almost in slow motion, a tandem perched upon its roof majestically, along with a cluster of other bikes in various states of assembly. The neighbours line up to watch. Whatever is happening here, it looks important. By the time my bike is hoisted onto the roof rack, we are all drenched in sweat.

An hour into the drive, we stop for fuel and feel a drastic temperature drop. Half hour later, the skies opened up. We continue north, under increasingly heavy rain and a blanket of black clouds. Pamela drives. John entertains us with stories of cycling in Ireland and his early custom bikes. Studiously we ignore the topic of weather. In the distance I begin to see hints of mountains, shrouded in thick fog. The view looks like lumpy pea soup.

We turn onto the private dirt road not long after 7pm, but it might as well be midnight. I can vaguely see the outlines of a cabin, a tractor, and a pile of logs in a field. Everything else fades to black. Running from the car to the front porch, my teeth chatter. It is freezing. There is non-stop thunder.

But inside is a different world...

As I crack open the door, I am overwhelmed by the burst of orange - the interior is all wooden planks and beams, aglow from the light of many small lamps. An electric heater is blasting. There are couches and quilts and a heavy large table and a cozy kitchenette. A winding staircase leads upstairs.

A tall man rises from the couch, who I learn is Ted. He reminds me of someone, but not, as the other ladies start to tell him, of "that actor from The English Patient." Ted is quiet, but with a heavy, deliberate presence to him, like one of those salt of the earth male Twin Peaks characters. Within moments he and John Bayley remove all the bikes from the car roof and bring them indoors in one fell swoop. Then they shake hands and open some beers.

By the kitchen counter, two exquisitely fit women - Christine and Dominique - are opening a bottle of wine. "Ah Pamela!" they exclaim, with that charming Quebec intonation that stresses the last syllable in every sentence. Later they ask where I'm from. I am the new kid here, the object of curiosity, and a little out of my element. But at that point we have all had a drink and the story of my origins makes more sense than usually. Mo Bruno-Roy relates to my mess of an accent. She herself can sound Canadian prairie one minute, Nawth Shoah the next. She demonstrates back and forth for our amusement.

David Wilcox is keeping busy in the background. Minutes later he produces a tray of steamed potatoes and asparagus from the oven. The room is warm, garlicky. More wine is opened. No one talks about bikes, or the weather.

The bikes are everywhere though; everyone seems to have brought at least one. Soon Jake and Emily arrive and bring more. My bike is propped against the side of the staircase. I park myself on the rug beside it to re-attach the front fender. "Look, she is eager to ride!" someone teases me.

The evening is warm and familiar and endless. With a cup of tea, I sit across the couch from the Canadian hill climbers. Dominique is a brunette with a serene facial expression. Christine is blond and animated. They are about the same height. There is a ying-yang symmetry to them that is mesmerising. "Why do you climb Mt. Washington?" I ask, innocent that I am. Taking turns, they recount the history of them doing the race, which includes the story of how they met Pamela. But they don't say what compels them to do it.

This is the most relaxed evening I've had in ages...

Just when it seems to be nearing bed time, Matt Roy arrives, dripping wet. He is carrying boxes of components, a bag of tools and a work stand. The RSC Endurance Team has recently snagged a sponsorship deal (Seven Cycles, SRAM, Rapha, Zipp and Clement), which would equip the three riders with bikes for long distance mixed terrain racing. John Bayley's frame had just been welded earlier in the day. They'd dragged it up to Vermont and now planned to build it up.

At around 10pm, they set up the stand in the kitchen. I make endless cups of tea and look on with fascination. An eccentric bottom bracket. Road levers for hydraulic disc brakes. 700X40mm tires. Everyone gathers to watch and ask questions, drunk on the exoticism of the strange machine.

The rain beats against the metal roof like a chorus of tribal drums. I resist imagining the condition of the dirt roads. But then no one seems intent on forcing me to ride. Not only that, but by the group's demeanor it isn't clear whether they plan to ride themselves. Perhaps there is an unspoken agreement to write the weekend off and spend it indoors - drinking, catching up with friends and building bikes? It does not feel right to ask.

Finally I see Pamela at the far end of the room, producing her laptop and GPS unit. I walk over, and, feeling as if I'm vocalising the unspeakable, ask whether she plans to ride tomorrow. She says "Let's play it by ear and see how it goes?" - a stunning pronouncement coming from her. She shows me the updated forecast, which now threatens temperatures in the 30s, floods, and - my eyes can hardly believe it - chances of snow.

The original plan had been to set off at 8am and ride either a 90 mile or a 60 mile loop. The new plan is to sleep in and see what the road conditions are, come mid-morning. Walking upstairs, I can hear the clinks of wine glasses below, complemented by rolls of thunder and the sound of rain outside.